Camille Kelleher
As I read
further into this story, I am beginning to understand Kafka’s decisions on the
plot progression and the interactions between K and other characters. The
titles of each chapter are the names of the characters that K meets in each
relative chapter. Kafka allows the readers to understand K.’s internal feelings
and thoughts regarding the trial and its effects on his life via the
conversations with each character. This reminds me of Ayn Rand’s introduction
in Atlas Shrugged where she stated that, unlike The Fountainhead,
this novel’s plotline and development of characters is based on the interaction
and relationships between characters rather than the isolation of each
character. I think Kafka decided to organize the plot this way because he wanted to
emphasize the social aspect of the three pillars; the state, the family, and
the church. Also, this style of writing emphasizes that court victims must
socialize with people who have insight about the court and influence over lower
court judges. This isolates the convention that only the written law can decide
the judges’ decisions on trials and even diminishes its supremacy.
I consider
the interaction between K and the painter as the most insightful so far because
it provides a lot of information about the way that K can manipulate the lower
courts and the extent that the court can strike destitute and poverty on people
associated with its system. The painter tells K that his trial can reach an
actual acquittal, apparent acquittal, and protraction; however, the painter can
only influence the court on the grounds of the apparent acquittal and
protraction. Although the apparent acquittal requires a concentrated and
temporary effort while the protraction requires a modest and continuous effort,
both are very similar because both decisions do not guarantee K as a free of
the court. K will be forever tormented
by this trial and his life has already started to succumb to the pressure and
stress from his trial. Given these two options, K now has to decide whether he
wants to feel free even though the court can arrest him at any given time or
create a schedule with his judge that plans the required meetings that K must
have in order to stay in the lowest court. The former carries constant worry
and fear of being arrested again while the latter carries routine interactions
with his trial and his judge. Either way, I think K will begin to develop a
guilty conscious and view himself as a criminal. If I were K, I would play it
safe and have the painter help my trial reach a protraction so that my life
will only be disturbed on those given days.
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